Objective: People who have higher social health can more successfully deal with the challenges and ups and downs of playing key social roles and participate more in collective activities and prevent social deviations and anomalies. In this regard, foresight and the development of a forward-looking strategy model by the media can play an important role in promoting the social health of their audience (individuals).Method: This research has been done qualitatively and quantitatively. In the qualitative phase, content analysis and Q methods were used, and in the quantitative phase, factor analysis was used to analyze the Q method data.Results: The content analysis of the media in this study showed that the most media production in the field of social deviations with 576 cases and the lowest media production in the field of violence with 237 cases. The field of social quality with 485 and the field of social issues with 312 cases are in the second and third ranks. A small questionnaire was made and based on it, the desired model was designed using PLS software. Conclusion: This model showed that the function of media is effective in promoting social health of society and can have the greatest impact on improving quality of life, reducing violence, reducing social deviations and social issues.

This article investigates the problem of simultaneous attitude and vibration control of a flexible spacecraft to perform high precision attitude maneuvers and reduce vibrations caused by the flexible panel excitations in the presence of external disturbances, system uncertainties, and actuator faults. Adaptive integral sliding mode control is used in conjunction with an attitude actuator fault iterative learning observer (based on sliding mode) to develop an ACTIVE fault tolerant algorithm considering rigid-flexible body dynamic interactions. The discontinuous structure of fault-tolerant control led to discontinuous commands in the control signal, resulting in chattering. This issue was resolved by introducing an adaptive rule for the sliding surface. Furthermore, the utilization of the sign function in the iterative learning observer for estimating actuator faults has not only enhanced its robustness to external disturbances through a straightforward design, but has also led to a decrease in computing workload. The strain rate feedback control algorithm has been employed with the use of piezoelectric sensor/actuator patches to minimize residual vibrations caused by rigid-flexible body dynamic interactions and the effect of attitude actuator faults. Lyapunov's law ensures finite-time overall system stability even with fully coupled rigid-flexible nonlinear dynamics. Numerical simulations demonstrate the performance and advantages of the proposed system compared to other conventional approaches.

This study evaluated the effectiveness of poster between the AUDIENCES in the theater has been performed around the show place. This study attempts to assess the correlation between variables of the poster with the theater audience and dimension (poster visual elements such as composition, graphic design, color, size, and location).According to a survey conducted in this study, in terms of objective criteria, in terms of goal applied and to benchmark study by time, is sectional. Data were collected by using of questionnaires tool. Since the study populations of this study (10,000) people are the theater audience, a sample size of 384 is considered the Cochran formula. The chosen sample study is randomly. Cranach’s alpha coefficient was calculated for the independent variable (poster) and the dependent variable study (the theater audience) and its dimensions indicate high internal consistency and the other word, reliability utility is items of research. Findings research shows that between the use of posters and Research Theater and its dimensions (visual elements of the poster) there is a correlation.used and theater AUDIENCES and its dimensions in terms of (visual elements of the poster).

Today's world has been the world of media. Today can hardly find a place that people are far and separated from the media and media effects. Practices, knowledge, tastes, and many teachings of daily life of every human, somehow directly or indirectly will be affected by what the media has covered. This article attempts to focus on national media audience on one hand and satellite television networks on the other hand according to the educational level of these two media AUDIENCES by the study of documents in the Centre of Islamic Republic of Iran Broadcasting, as well as explores in other writings and considers a historical approach in studying the desired phenomenon Comprehensively and sociologically. Findings of this article suggest that 79.4 percent of Audience in the age group of illiterate and uneducated are very high and high satisfied from TV programs, 15.6 percent have averages satisfaction And 7 percent have very little or no satisfaction. Among group of AUDIENCES that are in high school, 74 percent of respondents have too much or much satisfaction from the TV programs, 20 percent have an average satisfaction, And about 6 percent are little or no satisfied. However, among the AUDIENCES who have diploma, 66.6 percent of respondents have too much or a lot satisfaction from TV, 24.3 percent have an average satisfaction and 9.1 percentage of them have very low or no satisfaction. Eventually in the AUDIENCES group that are highly educated these results were obtained; 59.2 percent have very high and high satisfaction, 28.5 have an average satisfaction and 12.2 percent have little or no satisfaction. Thus these findings indicate that the more the AUDIENCES are educated, the less they are satisfied from the TV programs of Iran. Other findings on the other hand (are located in Table 2 in this article) in all years of survey and study indicate that the more the level of education of AUDIENCES has increased, the more the satisfaction of them from satellite network programs has grown.

There are three viewpoints regarding the occasion of (Q. 16: 126)’, s revelation, as well as identifying its direct AUDIENCES. According to the first viewpoint, which seems the most popular one within Muslim scholars, the verse was revealed during the Uḥ, ud battlefield, and its only addressee is the Prophet Muhammad (PBUH) himself. The narration explains that the Prophet wanted to take revenge on the Quraysh pagans, mutilating bodies of thirty or seventy of their slains, for the bloodlust of Ḥ, amza and other Muslim martyrs who were tragically mutilated by them. Thus, according to the first viewpoint, the mentioned versed was revealed and forbade Muhammad from doing so. of course, it is referred to two narrations from Ibn ʿ, Abbā, s and Abu Ḥ, urayra to prove it. Nonetheless, these narrationes are weak ones in terms of isnā, d and unreliable in terms of content as well. Moreover, they seem incompatible with the well-known personality of Prophet Muhammad (PBUH), as well as his religious teachings. However, there is another viewpoint that refers to a narration from Ubayy b. Kaʿ, b, according to which, the verse in question was related to the words of anṣ, ā, r and was revealed in the occasion of the conquest of Mecca. Although this second narration seems correct in terms of isnad, its content should be considered vague and false. Besides, the literal meaning of the verse gives no such an indication. The present article, which suggest the third viewpoint in this regard, attempts to indicate that this verse was revealed before the Prophet’, s migration to Medina, and its revelation was not affected by any special occasion, including the above mentioned suggested ones. On the basis of the textual appearances of the verse, it seems that (Q. 16: 126) is stating a general ruling, like many other Qur’, anic verses, without limiting its audience to any specific individual.

This research is going to study important factors that effect on using virtual space among the young people (students of Tehran university).The method of this study according to the issue and its hypothesis was proceed throw a maid researcher questioner base on the theory and research.Eleven independent variables included: communicational literacy, long lasting using of internet, social base, economical base, trust on virtual space, access to internet, place of access to internet, to be satisfied by services, age, sex and place of life.Population of this study includes 30000 students of Tehran university. The numbers of selected sample that was chosen according to Cochran Q test was 379. The researcher used inferential and descriptive statistics to analyze the data.The finding confirmed factors; communicational literacy, long lasting using of internet, social base, trust on virtual space, access to internet, place of access to internet, to be satisfied by services, sex and place of life. except age and economical base have direct relation with using virtual space.

This research is an attempt to study the interpretations and decodings of a soap opera called Faseleha by women of Elam. The theoretical approach of this research is that which has been developed in cultural studies to study television AUDIENCES. The main question is this: which ideas and values are dominant and taken for granted in Faseleha, and how do AUDIENCES (here, women of Elam) interpret and decode the preferred reading of the text and which discourses are available for them and inform them in this process.In the first section, we have used semiology to illuminate the preferred reading of the text and, in the second section, we have studied women readings by way of focused group interview. The findings showed that the AUDIENCES read Faseleha very differently and ACTIVEly, they are not passive consumers.

This article was aimed to evaluate the reasons for audience who participate in theater performances which was conducted with survey method. Measuring instrument was a questionnaire and it was contributed among 384 theater AUDIENCES in Shahr Theater, Vahdat Hall and the Artists’ House. The results of this study are as follows: Men are more likely to watch theater, and theater AUDIENCES are in the age range of 16 to 38 years. Singles go to theater more than married. The majority of theater AUDIENCES are educated and high social class. Theater AUDIENCES usually go without any special plans and with their friends. The sources for getting information about performances were internet and friends. Playwright, director, actors, genre drama, stage design and theater ticket prices were ordinal criteria for theater AUDIENCES. The five factors were determined as inviting reasons to theater: 1. live environment. 2. Honesty and lack of censorship in the theater. 3. Unique features. 4. Special effects. 5. Motivation and AUDIENCES’ need.